Marek PASIECZNY 'Sakura No Hana' Variations
(feat. Lingling Yu) 琵琶 pipa and guitar
这是波兰吉他家与作曲家马瑞克最新推出的4K清晰度视频，录制于2016年波兰Florianka音乐厅。琵琶演奏者为于玲玲。马瑞克最新的作品为献给2016年伦敦吉他大赛冠军Giacomo Susani的吉他奏鸣曲《Sonata ‘Tate’ for solo guitar》，将于今年底在英国首演。2018年5月，马瑞克将访问中央音乐学院，为期4天的活动包括大师班、独奏会和合作演奏会，并将在中国首演这首吉他奏鸣曲。消息来自其网站：http://pasieczny.com
SCORE: http://pasieczny.com/scores/ iTunes: http://smarturl.it/phee96 Amazon: http://smarturl.it/4o4ofk GooglePlay: http://smarturl.it/eviouk
さくらの花変奏曲 VARIATIONS ‘SAKURA NO HANA’ マレク・パシェツニ作曲 BY MAREK PASIECZNY
Lingling Yu - pipa, Marek Pasieczny - guitar
recorded at Florianka Concert Hall, Cracov, Poland, 14th of May, 2016
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‘Sakura Sakura’ (‘Cherry blossoms, cherry blossoms’), also known as ‘Sakura’, is a traditional Japanese folk song that depicts the season of cherry blossoms during spring. Contrary to popular belief, the song did not originate in ancient times: it was a popular, urban melody of the Edo Period, defined as time from beginning of the seventeenth century to the middle of the nineteenth. The song was later adopted for use by beginner students learning the Koto (a traditional string instrument), and was published in the Tokyo Academy of Music Collection of Japanese Koto Music at the end of the nineteenth century. This set of variations is based on this melody.
Sakura No Hana Variations is based entirely on five notes (A, B, C, E, and F) forming a pentatonic scale that is commonly used in traditional Japanese musics. In contemporary Japanese music, a sixth note (D) is occasional employed to act as a dominant seventh. My attempt here from the very beginning of the compositional process was not to create a guitar piece, but a composition for two Japanese Koto instruments to later be adapted for two guitars. In using extended techniques on the classical guitar, I tried to imitate as closely as possible the Japanese Koto. Each variation is therefore highly significant in its structure, form and timbre nuances.
This is version for pipa and guitar.
相关链接：
58. 横尾幸弘（Yocoh, Yuquijiro）及其《樱花变奏曲》